My artistic practice explores the dynamic tension between balance and imbalance, structure and disruption, stillness and movement. While my earlier work centered on sculpture, collage, and drawing made from discarded materials, my current paintings continue this same inquiry
through visual systems, layered marks, and spatial relationships. Across media, my work is driven by processes of deconstruction and reassembly, allowing forms to exist as both provisional and complete.

I often begin with simple constraints such as grids or repeated shapes, and as the paintings develop, these structures shift, overlap, or partially collapse and allow for intuitive decisions and meaning to emerge. The resulting compositions maintain a tension between order and uncertainty, mirroring the way inner life is shaped by habit, memory, and adaptation. In this
sense, the paintingsfunction as maps of internal states that unfold over time.

My thinking is deeply influenced by Heraclitus’s assertion that change is the only constant. Whether working with materials that carry visible histories or with abstract systems that evolve through process, I am drawn to transformation as a creative force and as a way of life. I work without a permanent studio and make paintings both at home and while traveling in Latin America and Spain. My practice is flexible and responsive, mirroring the conditions of change it seeks to explore.