My practice explores the tension between structure and instability. Working across sculpture, collage, and painting, I construct visual systems that appear ordered yet remain vulnerable to disruption and collapse. In early works, I built physical structures from discarded materials. My current paintings continue this inquiry through layered marks, grids, and shifting spatial relationships.

I begin with simple constraints, such as repeated forms, lattices, or underlying grids, and allow them to bend, overlap, or partially collapse as the work develops. The resulting compositions hold a dynamic balance between discipline and intuition, reflecting the way habit, memory, and adaptation shape inner life.

I work without a permanent studio, making paintings both at home in Houston and while traveling in Latin America and Spain. The practice remains flexible and responsive, grounded in the belief that transformation is not an interruption of structure, but its condition.